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Les encoches ou crans sur les plans-films permettent d'identifier les marques et types d'émulsion (sensibilité, couleur, noir & blanc, inversible). Ils permettent aussi de savoir dans quel sens charger les plans-films et d'empêcher les laborantins de se tromper de procédé.
Encoches et sensibilités ISO des plans-films Kodak [ modifier | modifier le code ]
Type
Code
Lumière du jour Sensibilité ISO/DIN
Tungstène ISO/DIN
Commercial 6127, 4127
__________ __ _____
\/ |__|
20/14
8/10
Contrast Process Pan 4155
______ _ ___ _ ____
\/ \/ \/ \/
100/21
80/20
Contrast Process Ortho 4154
______ _ ___ _____
\/ \/ |__|
100/21
50/18
Ektapan 4162
____________ _ ___
\/ |___|
100/22
100/22
Fine Grain Positive 7302
_______________ ___
|___|
40/17
10/11
Kodalith Ortho 2556, Type 3
Unnotched
10/15
6/9
Kodalith Pan 2568
_______ _ ___ _____
\/ \/ \/
40/17
36/16
Plus-X Pan Professional 4147
____ _ _ ___ __
\/ \/ \/ |___|
125/22
125/22
Tri-X Pan Professional 4164
_________ _ _ _____
\/ \/ \/
320/26
320/26
Tri-X 320 (TXP)
_______ _ ___
\/\/\/ |__|
320/26
320/26
Super-XX Pan 4142
____________ _ _____
\/ \/
200/24
200/24
Tri-X Ortho 4163
__ _ ____ _ __
\/ \/ \__/ \__/
320/26
200/24
Royal-X Pan 4166
___ _ _ ___ ___
\/ \/ \/ |___|
1250/32
1250/32
Royal Pan 4141
____________ ___ ___
\/ \/
400/27
400/27
T-Max 100 Professional 5052
_____ ________ _____
\/ \/
100/21
100/21
T-Max 100 (100TMX)
_________ ____
\/\/\/\/
100/21
100/21
T-Max 400 Professional 5053
_______ _ _ ____
\/ \/ |___|
400/27
400/27
T-Max 400 (400TMY)
_________ _ ___
\/\/ |__|
400/27
400/27
Professional Copy 4125
__ ____ _ _ __
\/ \/ \__/ \__/
25/15
12/12
Pan Masking Film 4570
__ __________ __ __
\/ \/ \/
Matrix Film 4150
_ _ _ ____ ___
\/ \/ \__/ \__/
Pan Matrix 4149
__ ____ ____ ______
\/ \/ \/
Separation Negative 4131, Type 1
____ _ _ ______
\/ \__/ \__/
Separation Negative 4133, Type 2
_______ __ _____
\__/ \__/
High Speed Infrared 4143
____ __ __ __ ___
\/ \/ \/ |___|
Ektachrome 64 Professional 6117
___________ _ __
╰----╯ \/
64/19
16/13 (with 80A)
Ektachrome 100 Professional 6122
_____ _ _ _ __
\/ ╰----╯ \/ \/
100/21
25/15 (with 80A)
Ektachrome 100 Plus Professional 6105
________ _ _ __
╰----╯ \/ \/
100/21
25/15 (with 80A)
Ektachrome 200 Professional 6176
__ _ _ _ _ __
\/ \/ ╰----╯ \/ \/
200/24
50/18 (with 80A)
Ektachrome 64T Professional 6118
________ _ _ __
\/ ╰----╯ \/
40/17 (with 85B)
64/19
Ektachrome Duplicating 6121
_____ _ _ _ __
\/ \/ ╰----╯ \/
Encoches et sensibilités ISO des plans-films Ilford [ modifier | modifier le code ]
Type
Code
Lumière du jour Sensibilité ISO/DIN
Tungstène ISO/DIN
Ortho Plus
_______________ _____
╰╯
80/20
40/17
FP4 Plus (New)
__ ___ ______ ___
╰-╯ ╰╯ ╰-╯
125/22
FP4 Plus (Old)
________ _______ ___
╰╯ ╰╯
125/22
HP5 Plus (New)
__ ______ ___ ___
╰-╯ ╰╯ ╰-╯
400/27
HP5 Plus (Old)
___ ___ _______ ___
╰╯ ╰╯ ╰╯
400/27
Delta 100 Professional
_ __ _ ___ _____
╰-╯╰╯╰╯ ╰-╯
100/21
Delta 400 Professional (New)
_ ____ _ _ _____
╰-╯ ╰╯╰╯╰-╯
400/27
Delta 400 Professional (Old)
__________ _ __ ___
╰╯╰╯╰╯
400/27
XP2 Super (New)
_ __ _ _ __ ___
╰-╯╰╯╰╯╰╯╰-╯
400/27
XP2 Super (Old)
____ _ __ _ ______
╰╯╰╯╰╯╰╯
400/27
Encoches et sensibilités ISO des plans-films Fuji [ modifier | modifier le code ]
Type
Code
Lumière du jour Sensibilité ISO/DIN
Tungstène ISO/DIN
Fujichrome Velvia
__________ ________
╰---╯
50/18
16/13
Fujichrome Velvia 100
_ ______ ________
╰╯ ╰---╯
100/21
32/16
Fujichrome Velvia 100F
__ __ __ ________
╰╯╰╯╰---╯
100/21
32/16
Fujichrome Astia 100F
_ _ ____ ________
╰╯╰╯ ╰---╯
100/21
32/16
Fujichrome Provia 100F
_______ _ _ ____
╰╯╰---╯╰╯
100/21
32/16
Fujichrome T64
_______ _ _ __ _
╰╯╰---╯╰╯╰╯
64/19
32/16
Fujicolor Pro 160S
________ ___ __
\_____/ ╰╯
O
160/23
50/18
Fujicolor Pro 160C
__ _____ _______
╰╯ \_____/
O
160/23
50/18
Fujicolor NPL 160
__ _ __ ___ __
╰╯╰╯ \____/ ╰╯
0
100/21
160/23
Fujichrome Duplicating Film CDU Type II
__________ ____ __
╰---╯ ╰╯
Fujicolor Internegative Film
__________ _ ___
\____/ ╰-╯
0