Utilisateur:Kotiki7/Kim Tschang Yeul
Kim Tschang Yeul (également connu sous le nom de «김창열», «Kim Tchangyeul», «Kim Chang Yeul» ou «Tschangyeul Kim») est un peintre sud-coréen né à Maengsan, province du P'yŏngan du sud, Chōsen, en Corée du Nord occupée par les Japonais , le 24 décembre 1929.
Kim Tschang Yeul fait partie de la première génération d'artistes modernes en Corée du Sud. Il est un peintre prolifique bien connu pour ses peintures «goutte d'eau», et a été l'une des figures les plus influentes de l'histoire de l'art coréen moderne. Bien qu'il ait commencé dans le cadre du mouvement Art Informel en Corée du Sud, il a vécu la majeure partie de sa vie adulte à Paris, en France, où il a développé son propre style de peinture.
Après avoir obtenu son diplôme du College of Fine Arts de l'Université nationale de Séoul en 1950, Kim a dirigé le mouvement Korean Art Informel avec Park Seo-Bo, Suh Se-Ok, Ha Chong-Hyun et Chung Chang-Sup dans les années 1950 et 1960. Ce mouvement a grandement inspiré de nombreux artistes d'avant-garde de la prochaine génération à rejeter les valeurs conservatrices qui leur sont imposées par les institutions coréennes.
Peu de temps après sa participation à la Biennale de Paris en 1961 et à la Biennale de São Paulo en 1965, Kim déménage à New York et étudie à la Art Students League de New York de 1966 à 1968. Le temps de Kim Tschang Yeul à New York lui permet pour interagir et s'inspirer du mouvement Pop art, qui a eu une influence significative sur lui.
En raison de ses années à l'étranger, Kim Tschang-Yeul a développé son art en dehors de la scène artistique de Séoul et de Tokyo, développant son style unique parallèlement au mouvement Dansaekhwa. En 1969, Kim a déménagé de New York à Paris, où il a continué à représenter des formes liquides abstraites opaques.
Avec le temps, les formes abstraites liquides se sont transformées en `` gouttes d'eau '' sphériques et transparentes, qui sont devenues son style distinctif et caractéristique après le milieu des années 1970. Les gouttes d’eau ont été l’objet de Kim au cours des cinq dernières décennies. Il a poursuivi la peinture de gouttes d'eau entre Séoul et Paris, où il vit et travaille.
Les peintures à la goutte d'eau de Kim parlent un langage qui fusionne les discours autour du photoréalisme et de l'expressionnisme abstrait, se situant dans un espace ambigu entre la réalité et l'abstrait. Selon Kim, il n'interprète pas son sujet comme des représentations réalistes de gouttes d'eau réelles, mais comme des représentations «idéalistes». Kim explique que l'acte continu de peindre des gouttes d'eau l'aide à effacer les souvenirs douloureux et traumatisants de la guerre de Corée qui a éclaté entre 1950 et 1953, où il a été témoin de la mort de sa jeune sœur et de ses amis. D'une certaine manière, l'acte incessant de peindre des gouttes d'eau lui a servi d'outil thérapeutique, rapprochant son art du surréalisme et de la spiritualité. Beaucoup ont spéculé sur la signification de son obsession pour les gouttes d'eau. Au sujet de leur peinture répétitive, Kim a déclaré: «J'ai souvent dit que peindre des gouttes d'eau était une façon d'effacer mon ego. C'est une idée proche du taoïsme et du bouddhisme zen. En Occident, j'ai le sentiment que Marcel Duchamp et Dada se sont le plus rapprochés de ces philosophies.
En 2016, le gouvernement de la province de Jeju a ouvert le musée d'art Kim Tschang Yeul dans le village des artistes de Jeoji, sur l'île de Jeju, en Corée du Sud, la plus haute distinction décernée à un artiste coréen vivant.
En 2017, il a reçu la médaille Officier de l'Ordre des Arts et des Lettres décernée par l'Ambassade de France à Séoul.
Selected Solo exhibitions[modifier | modifier le code]
Kim Tschang-Yeul, "The Path", Gallery Hyundai, Seoul (2020)
Kim Tschang-Yeul, "New York to Paris", Tina Kim Gallery, New York (2019)
Kim Tschang-Yeul, Almine Rech Gallery, New York (2018)
A Communion of Beads, Pearl Lam Galleries, Hong Kong, China (2017)
Traces of Beads, Metaphysical Art Gallery, Taipei, Taiwan (2017)
Galerie Baudoin Lebon, Paris, France (2016)
Galerie 75 Faubourg - Galerie Enrico Navarra, Paris, France (2016)
Gwangju Museum of Art, Gwangju, Korea (2014)
National Taiwan Museum of Fine Arts, Taichung, Taiwan (2012)
Busan Museum of Art, Busan, Korea (2009)
National Art Museum of China, Beijing, China (2006)
Gallery Hyundai, Seoul (2004)
Galerie nationale du Jeu de Paume, Paris (2004)
Sakamoto Zenzo Museum of Art, Kumamoto, Japan (1998)
Draguignan Museum, Draguignan, France (1997)
Enrico Navarra Gallery, Paris, France (1996)
Sonje Museum of Contemporary Art, Korea (1994)
Kongkan Gallery, Pusan, Korea (1994)
SAGA (Matsumura Graphics, Tokyo), Paris (1993)
The National Museum of Contemporary Art, Korea (1993)
Chicago International Art Exposition, Gallery Hyundai, Chicago (1989)
Naviglio Gallery, Milan, Italy (1987)
Tokyo Gallery, Tokyo (1983)
Staempfli Gallery, New York, (1978)
Antwerp Gallery, Antwerp, Belgium (1977)
Hyundai Gallery, Seoul, Korea (1976);
Kunsthaus, Hamburg, Germany (1975)
INKO Arts, Galerie Sprick, Bochum, Rome, Italy (1975)
Knoll International, Paris (1973)
8th São Paulo Biennale (1968)
2nd Paris Biennale (1961)
Selected Group Exhibitions[modifier | modifier le code]
2015 MMCA Collection Highlights: Untitled, National Museum of Modern and Contemporary Art, Gwacheon, Korea
2014 Botero, Ufan Lee, Tschang-Yeul Kim, Galerie Bhak, Seoul, Korea
2013 A Moment of Truth, Hansol Museum, Wonju, Korea
2011 Qi is Full, Daegu Art Museum, Daegu, Korea
2010 Portrait of the Korean War, Museum of Art at Seoul National University, Seoul, Korea
Korean Avant-Garde Drawing, Soma Museum of Art, Seoul, Korea
OFF the WALL, Clayarch Gimhae Museum, Gimhae, Korea
2009 Beginning the New Era, National Museum of Contemporary Art, Seoul, Korea
The Colour of Nature—Monochrome Art in Korea, Wellside Gallery, Shanghai, China
2008 Recomposition of the Works, Gyeongi Do Museum of Art, Ansan, Korea
Korean Contemporary Art Show, Singapore Art Museum, Singapore, Singapore
2007 Writing Paintings, Painting Words, Seoul Museum of Art, Seoul, Korea
Poetry in Motion, Galerie Beyeler, Basel, Switzerland
2006 Kim Whan-Ki, Kim Tschang-Yeul, Lee U-Fan, 1970–1980: Where, in What Form, Shall We Meet Again, Gallery Hyundai, Seoul, Korea
2005 Poem of Indian Ink, Guimet Museum of Asian Art, Paris, France
2004 Painting in Korea—Yesterday and Today, Seoul Museum of Art, Seoul, Korea
2001 Monochrome Painting in Korea, Korea Art Gallery, Busan, Korea
Korean Contemporary Art Festival (KCAF), Hangaram Art Museum, Seoul, Korea
2000 Gwangju Biennale 2000 Special Exhibition, The Facet of Korean and Japanese Contemporary Art, Gwangju Museum of Art, Gwangju, Korea
1998 Les peintres du silence, Museum of Art and History, Monbliéard, France
1997 Made in France, Centre Georges Pompidou, Paris, France
1996 Letter and Images, Hanlim Museum, Tae-Jeon, Korea
1992 Working with Nature: Traditional Thought in Contemporary Art from Korea, Tate Liverpool, Liverpool, England
1988 Olympiad of Art: The International Contemporary Painting Exhibition (sponsored by Seoul Olympic Organising Committee). National Museum of Contemporary Art, Gwacheon, Korea
1986 Seoul-Paris, Press Center, Seoul, Korea and Center National des Arts Plastiques, Paris, France
Korean Art Today, National Museum of Contemporary Art, Gwacheon, Korea
1984 Korean Contemporary Fine Arts Exhibition—The Stream of the ’70s, Taipei Fine Arts Museum, Taipei, Taiwan
1983 Korean Contemporary Arts Exhibition—The Latter Half of the ’70s: An Aspect, Tokyo, Osaka, Sapporo, Utsunomiya, Fukuoka, Japan
1982 Korean Contemporary Art Phase, Kyoto Municipal Museum of Art, Kyoto, Japan
Works on Paper in Korea and Japan, National Museum of Modern and Contemporary Art, Seoul, Korea; travelled to Kyoto Municipal Museum of Art, Kyoto; The Museum of Modern Art, Saitama; and Kumamoto Traditional Crafts Center, Kumamoto, Japan
1981 Dealers Eyes, Long Island Museum, New York, USA
Korean Drawing Now, Brooklyn Museum, New York, USA
1980 Asian Artists Exhibition Part 2, Fukuoka Art Museum, Fukuoka, Japan
Festival: Contemporary Asian Art Show, Fukuoka Art Museum, Fukuoka, Japan
Faculty Choices, Albany Museum, New York, USA
Salon des grands et jeunes d’aujourd’hui, Grand Palais, Paris, France
1979 Reality of Illusion Traveling Exhibition, Denver Art Museum, Denver, USA
1977 15th Biennale of São Paulo, São Paulo, Brazil
Korea: Facet of Contemporary Art, Tokyo Central Museum, Tokyo, Japan
Korean Modern Painting, National Museum of History, Taipei, Taiwan
1976 Aspect of Realism, Winnipeg Art Gallery, Winnipeg, Canada
1975 Salon de Mai, Paris, France
1974 Salon de Mai, Paris, France
1973 Salon de Mai, Paris, France
Salon des Réalitiés Nouvelles, Paris, France
12th Biennale of São Paulo, São Paulo, Brazil
1972 Salon de Mai, Paris, France
50 Paintings of Salon de Mai de Paris, Yugoslavia
Festival International de la Peinture (International Painting Festival), Cagnes-sur-Mer, France
8th Prints Biennale of Tokyo, Tokyo, Japan
4 Painters Exhibition, Museum of Saint-Paul-de-Vence, Saint-Paul-de-Vence, France
1971 Korean Contemporary Painting Exhibition, Paris, France
1969 Avant-Garde Festival, New York, USA
1965 8th Biennale de São Paulo, São Paulo, Brazil
1962–64 The Actuel Exhibition, Shinsegae Art Hall, Seoul, Korea
1961 The 2nd Biennale de Paris, Paris, France
Selected Public Collections[modifier | modifier le code]
Albright-Knox Art Gallery, Buffalo, USA
Aqua Museum 104°, Shimane, Japan
Art Center Nabi, Seoul, Korea
Bochum Museum Art Collection, Bochum, Germany
Busan City Museum of Art, Busan, Korea
Centre Georges Pompidou, Paris, France
Daejeon Museum of Art, Daejeon, Korea
Daegu Art Museum, Daegu, Korea
Daelim Museum, Seoul, Korea
Detroit Institute of Arts, Detroit, Michigan, United States.
Fondation Veranneman, Ghent, Belgium
Fukuoka Art Museum, Fukuoka, Japan
Fundació Stämpfli, Sitges, Barcelona, Spain
Gwangju Museum of Art, Gwangju, Korea
Hakodate Museum, Hokkaido, Japan
Hansol Museum, Wonju, Korea
Hiroshima Contemporary Museum of Art, Hiroshima, Japan
Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA
Ho-Am Art Museum, Yongin, Korea
Iwaki City Art Museum, Iwaki, Japan
Leeum, Samsung Museum of Art, Seoul, Korea
Museum Boijmans Van Beuningen, Rotterdam, the Netherlands
Museum of Fine Arts, Boston, USA
Museum of Fine Arts, Gifu, Japan
Museum of Modern Art, Saitama, Japan
Museum of Oriental Art, Cologne, Germany
Museum of Texas Tech University, Lubbock, Texas, USA
National Museum of Contemporary Art, Gwacheon, Korea
National Museum of Modern Art, Tokyo, Japan
Niigata Prefectual Museum of Modern Art, Niigata, Japan
Ohara Museum of Art, Kurashiki, Japan
Seoul Museum of Art, Seoul, Korea
Seoul National University Museum of Art, Seoul, Korea
Shimonoseki City Museum of Art, Shimonoseki, Japan
Sonjae Museum of Contemporary Art, Gyeongju, Korea
Sunkyung Museum of Art, Seoul, Korea
Takamatsu City Museum of Art, Takamatsu, Japan
Tokyo Metropolitan Museum of Art, Tokyo, Japan
Walker Hill Art Center, Seoul, Korea
Winnipeg Art Gallery, Winnipeg, Canada
Art market[modifier | modifier le code]
Many works by the artist have been sold at auction, including 'Gouttes d'eau' sold at Korea Premier Auction 'K Auction 2016 May Hong Kong Sale' in 2016 for $2,300,000.[1]
Selected publications[modifier | modifier le code]
2009 Morgan, Robert C., Kim Tschang-Yeul: The Paradox of Meaning, PYO Gallery, Seoul (in English and Korean).
2008 Sergeant, Philippe, Kim Tschang-Yeul, Éditions de la Différence, Paris (in French and Korean).
2002 Barrière, Gérard, Kim Tschang-Yeul, Galerie Bhak, Seoul (in French and Korean).
2000 Restany, Pierre, “A Bit of the Comet’s Coma”, in Kim Tschang-Yeul, Gallery Hyundai, Seoul (in French).
Restany, Pierre, Kim Tschang-Yeul, Galerie Bhak, Seoul (in English and Korean).
1998 Chiba, Shigeo, “Like Play, Also Like a God”, Tokyo Gallery, Tokyo (brochure).
Shioda, Junichi, “A Word About Kim’s Paintings: The Waterdrops and the Kanji Characters”, in Tschang Yeul Kim: Water Drops—Play and Prayer, Sakamoto Zenzo Museum of Art, Kumamoto (in English and Japanese).
Masuda, Ryoske, “Entretien”, in Kim Tschang-Yeul: Water Drops—Play and Prayer, Sakamoto Zenzo Museum of Art, Kumamoto.
1997 Matheson, John, Kim Tschang-Yeul, Antwerp Gallery, Anvers (in English, Flemish, and French) Byong-Kwan, Jeung, “Notes Verbales”, in Kim Tschang-Yeul, Galerie Bhak/Gallery Hyundai, Seoul (in English and Korean).
1994 Byong-Kwan, Jeung, “The Artist’s Avant-Garde Spirit Seen from the Transition of the Waterdrops”, in Kim Tschang-Yeul: Waterdrops, Sonje Museum of Contemporary Art, Kyongju, pp7–12 (in English and Korean).
Tae-Sung, Kang, “Transformation of the World of Water, Waterdrops”, in Kim Tschang-Yeul:
Waterdrops, Sonje Museum of Contemporary Art, Kyongju, pp13–21 (in English and Korean).
1993 Lee, Yil, “Kim Tschang-Yeul’s ‘Water Drops’ oeuvre and its path", in Kim Tschang-Yeul, National Museum of Contemporary Art, Gwacheon, pp48–60 (in English and Korean).
Cohen, Ronny, Kim Tschang-Yeul, Hudson Hills Press, New York.
Kyong-Soo, Lee, “Literature on Water Drops”, in Kim Tschang-Yeul, National Museum of Contemporary Art, Gwacheon, pp30–37 (in English), pp25–29 (in Korean).
Cyroulnik, Philippe, “Kim Tschang-Yeul”, in Kim Tschang-Yeul, National Museum of Contemporary Art, Gwacheon, pp73–75 (in French and Korean).
Oh, Kwang-Soo, “Kim Tschang-Yeul’s ‘Drops of Water’ as the Essence of Consciousness", in Kim Tschang-Yeul, National Museum of Contemporary Art, Gwacheon, pp30–37 (in English and Korean).
Restany, Pierre, “The Other Place”, in Kim Tschang-Yeul, National Museum of Contemporary Art, Gwacheon, pp25–29 (in French and Korean).
Bosquet, Alain, in Kim Tschang-Yeul, National Museum of Contemporary Art, Gwacheon, pp115–119 (in French and Korean).
Barrière, Gérard, in Kim Tschang-Yeul, Galerie Enrico Navarra, Paris, pp11–27 (in French and Korean).
Barrière, Gérard, in Kim Tschang-Yeul, Gallery Hyundai, Seoul, pp28–38 (in French, English, and Korean).
Cohen, Ronny, in Kim Tschang-Yeul, National Museum of Contemporary Art, Seoul, pp61–71 (in English and Korean).
Cohen, Ronny, in Kim Tschang-Yeul, Galerie Enrico Navarra, Paris, pp69–78 (in French and English).
Cohen, Ronny, in Kim Tschang-Yeul, Gallery Hyundai, Seoul, pp102–116 (in French, English, and Korean).
Byong-Kwan, Jeung, in Kim Tschang-Yeul, National Museum of Contemporary Art, Seoul, pp77–95 (in French and Korean).
Kwang-Soo, Oh, in Kim Tschang-Yeul, Gallery Hyundai, Seoul, pp7–12 (in English and Korean).
Restany, Pierre, in Kim Tschang-Yeul, Galerie Enrico Navarra, Paris, pp7–10 (in French and English).
Restany, Pierre, in Kim Tschang-Yeul, Gallery Hyundai, Seoul, pp17–25 (in French, English, and Korean).
Ufan, Lee, in Kim Tschang-Yeul, National Museum of Contemporary Art, Gwacheon, pp97–105 (in English and Korean).
Matheson, John, in Kim Tschang-Yeul, National Museum of Contemporary Art, Gwacheon, pp107–113 (in English and Korean).
Barrière, Gérard, “Notes on Kim Tschang-Yeul or The Universe After the Rain”, in Kim Tschang-Yeul, National Museum of Contemporary Art, Gwacheon, pp38–47 (in French and Korean).
1991 Cohen, Ronny, “Introduction”, in Kim Tschang-Yeul, Sigma Gallery/Staempfli Gallery, New York (in English).
Yil, Lee, “Kim Tschang-Yeul’s 1000 Characters and Water Drops”, Inkong Gallery, Daegu (brochure in Korean).
Yil, Lee, Kongkan Gallery, Busan (catalogue in Korean).
1988 Yil, Lee, “Kim Tschang-Yeul and a Water Drop”, Gallery Hyundai, Seoul (brochure in Korean), Tokyo Gallery, Tokyo (in Japanese).
Moriguchi, Akira, “Kim Tschang-Yeul—Luminous and Fresh Paintings”, in Tschang-Yeul Kim, Seibu Contemporary Art Gallery, Tokyo (in Japanese).
1987 Wolff, Theodore F., “Tschang-Yeul Kim”, Staempfli Gallery, New York (brochure in English).
1983 Yil, Lee, “This is Not a Water Drop”, Tokyo Gallery, Tokyo (brochure in Japanese).
1979 Bosquet, Alain, “The Waterdrops of Kim”, in Kim Tschang-Yeul, Staempfli Gallery, New York, pp30–37 (in French and English).
Byong-Kwan, Jeung, “Painting of Another Genre”, in Kim Tschang-Yeul, Staempfli Gallery, New York, pp8–27 (in French and English).
Ufan, Lee, “Entre l’idée et la matière” (“Between the Idea and the Material”), in Kim Tschang-Yeul, Staempfli Gallery, New York, pp38–39 (in French and English).
Matheson, John, in Kim Tschang-Yeul, Staempfli Gallery, New York, pp48–55 (in French and English).
Staempfli, George W., “Introduction” in Kim Tschang-Yeul, Staempfli Gallery, New York, pp6–7 (in French and English).
1978 Ufan, Lee, “Fra l’idea e la material” (“Between the Idea and the Material”), Galleria del Naviglio, Milan (in Italian).
Staempfli, George W., Staempfli Gallery, New York (brochure in English).
1976 Bosquet, Alain, “Les gouttes de Kim” (“The Drops of Kim”) in T. Kim, Gallery Hyundai, Seoul (in French and Korean).
Yil, Lee, “To Brother Tschang-Yeul”, in T. Kim, Gallery Hyundai, Seoul (in French and Korean). Nakahara, Yusuke, Tokyo Gallery, Tokyo (brochure in Japanese).
1974 Bosquet, Alain, “Die Wassertropfen von Kim” (“The Water Drops of Kim”), Galerie Sprick, Bochum (in German).
Bosquet, Alain, “20 gouttes d’eau pour Kim” (20 poemes) (“20 Water Drops by Kim”, 20 poems) in Kim, Gouttes d’eau (Kim, Water Drops), Galerie Engelberts, Geneva.
1973 Leuwers, Daniel and Ryoske Masuda, Knoll International, Paris (brochure).
Pre-1973 Yil, Lee, Kasahara Gallery, Osaka (brochure in Japanese).
Matheson, John, “Merely Drops of Water?”
Restany, Pierre, in Kim Tschang-Yeul, Galerie Bhak, Seoul (in English and Korean).
Lewis Biggs. Working with Nature: Traditional Thought in Contemporary Art from Korea: Chung, Chang-Sup; Yun, Hyong-Keun; Kim, Tschang-Yeul; Park, Seo-Bo;
Lee, U-Fan; Lee, Kang-So.este señor a creado en sus dibujos el relieve
Ronny Cohen. Tschang Yeul Kim.
Writings by the Artist[modifier | modifier le code]
1962 “My Vision”, Taehan Ilbo, Seoul, 1 January 1962.
1960 “Note”, Hanguk Ilbo, Seoul, 24 January 1960.
1960 “The Problem of 30 Years”, Segye Ilbo, Seoul, 31 May 1960.
1960 “The Advance of the Avant-Garde”, Jayu Munhak, Seoul, December 1960.
1958 “Secret Words”, Hanguk Ilbo, Seoul, 11 January 1958.