Fichier:Sir Peter Paul Rubens - Constantius appoints Constantine as his successor - Google Art Project.jpg
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Description
Pierre Paul Rubens : Constantius appoints Constantine as his successor
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| Artiste |
Détails concernant l’artiste sur Google Art Project |
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| Titre |
anglais :
Constantius appoints Constantine as his successor |
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| Type d'objet | peinture | |||||||||||||||||||||||||||
| Date | 1622 | |||||||||||||||||||||||||||
| Technique / matériaux | huile sur panneau de bois | |||||||||||||||||||||||||||
| Dimensions | hauteur : 615 mm ; largeur : 534 mm | |||||||||||||||||||||||||||
| Collection |
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| Lieu actuel |
Niveau Ground level (Détails du niveau sur Google Art Project) salle 15th–19th c European art (Détails de la salle sur Google Art Project) |
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| Numéro d’inventaire |
483.1993 |
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| Historique de conservation |
Flanders James Oswald Fairfax AC (Australia, b.1933), 30 Jul 1981-31 Aug 1993, Bowral/New South Wales/Australia, Gift of James Fairfax 1993. Purchased by James Fairfax from Agnew's 1981.Agnew's, London (England, estab. 1817), Dec 1979-30 Jul 1981, London/England, Sold to James Fairfax, 30 July 1981. Agnew's stock no. 43546. H.E.M. Benn (England), post 17 Feb 1940-Dec 1979, Ilkley/Haslemere/England, Purchased by Benn from Buttery 1940, sold to Agnew's, December 1979 Horace Buttery, London (England), 17 Feb 1940, London/England, [dealer] Agnew's, London (England, estab. 1817), 04 Jun 1937-17 Feb 1940, London/England, Purchased at Christie London 4 June 1937, lot no. 90, jointly owned by Agnew's with Buttery and Clark. Agnew's 1/3 share was sold to Buttery on 17 February 1940, when presumably Buttery had a buyer. Francis Pelham-Clinton-Hope, 8th Duke of Newcastle, 15th Earl of Lincoln (England, b.1866, d.1941), 1928-04 Jun 1937, England, by descent, sold Christie London, 4 June 1937, lot no. 90, purchased by Agnew's jointly with Buttery and Clark, £280 Henry Pelham-Clinton, 7th Duke of Newcastle, 14th Earl of Lincoln (England, b.1864, d.1928), pre 1928, England Stamp Brooksbank (England), pre 31 May 1834, England, presumably by descent, Governor of the Bank of England 1741-43, his (and others') sale, Stanley, London 31 May 1834, lot no. 89 'The interview between Constantine and his son Crispus'. Henry Brooksbank (England), 1828, England, by 1828, lent to the 1828 British Institution exhibition Thomas Hammersley (England, b.1747, d.1812), 1792-1812?, London/England, Thomas Hammersley, his and others' (anon.) sale, Christie's London 6-7 March 1801, lot no. 76 'Constantine receiving the globe and cross', bought in, 67gn. Hammersley and others' (anon.) sale, Coxe, London, 11 June 1808, lot no. 9 'An allegorical representation of Constantine receiving under the influence of the cross, authority over the Earth and Ocean', bought in, 95gn. Thomas Moore Slade (England), 1792, England, Purchased by Thomas Moore Slade in association with the 7th Baron Kinnaird (1754-1805), W. Morland and Thomas Hammersley. Philippe-Joseph ('Egalité'), duc d'Orléans (France, b.1747, d.1793), pre 1792, France, by descent, sold to Thomas Moore Slade 1792 Philippe, duc d'Orléans (France, b.1674, d.1723), pre 1723, France French royal tapestry works of Saint-Marcel (France), post 1622, France, With the rest of the set: painted for the French royal tapestry works of Saint-Marcel, 1622; listed at the Saint-Marcel works in 1627; remained there under the directorship of Marc de Comans (d. 1644) and subsequently of Hippolyte de Comans (who became director in 1651); Henri de Valois (1603-1673) or Adrien de Valois (1607-1692). James Oswald Fairfax AC (Australia, b.1933), 30 Jul 1981-31 Aug 1993, Bowral/New South Wales/Australia, Gift of James Fairfax 1993. Purchased by James Fairfax from Agnew's 1981. Agnew's, London (England, estab. 1817), Dec 1979-30 Jul 1981, London/England, Sold to James Fairfax, 30 July 1981. Agnew's stock no. 43546. H.E.M. Benn (England), post 17 Feb 1940-Dec 1979, Ilkley/Haslemere/England, Purchased by Benn from Buttery 1940, sold to Agnew's, December 1979 Horace Buttery, London (England), 17 Feb 1940, London/England, [dealer] Agnew's, London (England, estab. 1817), 04 Jun 1937-17 Feb 1940, London/England, Purchased at Christie London 4 June 1937, lot no. 90, jointly owned by Agnew's with Buttery and Clark. Agnew's 1/3 share was sold to Buttery on 17 February 1940, when presumably Buttery had a buyer. Francis Pelham-Clinton-Hope, 8th Duke of Newcastle, 15th Earl of Lincoln (England, b.1866, d.1941), 1928-04 Jun 1937, England, by descent, sold Christie London, 4 June 1937, lot no. 90, purchased by Agnew's jointly with Buttery and Clark, £280 Henry Pelham-Clinton, 7th Duke of Newcastle, 14th Earl of Lincoln (England, b.1864, d.1928), pre 1928, England Stamp Brooksbank (England), pre 31 May 1834, England, presumably by descent, Governor of the Bank of England 1741-43, his (and others') sale, Stanley, London 31 May 1834, lot no. 89 'The interview between Constantine and his son Crispus'. Henry Brooksbank (England), 1828, England, by 1828, lent to the 1828 British Institution exhibition Thomas Hammersley (England, b.1747, d.1812), 1792-1812?, London/England, Thomas Hammersley, his and others' (anon.) sale, Christie's London 6-7 March 1801, lot no. 76 'Constantine receiving the globe and cross', bought in, 67gn. Hammersley and others' (anon.) sale, Coxe, London, 11 June 1808, lot no. 9 'An allegorical representation of Constantine receiving under the influence of the cross, authority over the Earth and Ocean', bought in, 95gn. Thomas Moore Slade (England), 1792, England, Purchased by Thomas Moore Slade in association with the 7th Baron Kinnaird (1754-1805), W. Morland and Thomas Hammersley. Philippe-Joseph ('Egalité'), duc d'Orléans (France, b.1747, d.1793), pre 1792, France, by descent, sold to Thomas Moore Slade 1792 Philippe, duc d'Orléans (France, b.1674, d.1723), pre 1723, France French royal tapestry works of Saint-Marcel (France), post 1622, France, With the rest of the set: painted for the French royal tapestry works of Saint-Marcel, 1622; listed at the Saint-Marcel works in 1627; remained there under the directorship of Marc de Comans (d. 1644) and subsequently of Hippolyte de Comans (who became director in 1651); Henri de Valois (1603-1673) or Adrien de Valois (1607-1692). |
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| Inscriptions |
Not signed. Not dated. |
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| Notes | Plus d’informations sur le site du musée | |||||||||||||||||||||||||||
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| Source / photographe | ggEwfH0gsv0ASQ sur l’Institut culturel Google résolution maximale | |||||||||||||||||||||||||||
Conditions d’utilisation
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Ceci est une reproduction photographique fidèle d'une œuvre d'art originale en deux dimensions. L'œuvre d'art elle-même est dans le domaine public pour la raison suivante :
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Cette reproduction photographique est donc également considérée comme étant élevée dans le domaine public. Merci de noter qu'en fonction des lois locales, la réutilisation de ce contenu peut être interdite ou restreinte dans votre juridiction. Voyez Commons:Reuse of PD-Art photographs. | ||||
Historique du fichier
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| Date et heure | Vignette | Dimensions | Utilisateur | Commentaire | |
|---|---|---|---|---|---|
| actuel | 28 octobre 2015 à 17:20 | | 2 209 × 2 857 (2 Mio) | Never covered | load a version without fram. It looks a nineteenth-century frame rather pointless, it just makes it more difficult to view on the screen the Rubens sketch |
| 17 octobre 2012 à 23:24 |  | 4 430 × 5 049 (6,13 Mio) | DcoetzeeBot | =={{int:filedesc}}== {{Google Art Project |commons_artist={{Creator:Peter Paul Rubens}} |commons_title= |commons_description= |commons_date= |commons_medium= |commons_dimensions= |commons_institution= |commons_location= |commons_references= |commons_ob... |
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